Screen Graphics (aka Computer Effects) is what we call it when we design graphics for computer or TV screens in film sets. We then organise and install the computer or TV screens in the set and then operate them when filming. This may seem simple, but things can get complicated when you are trying to run a set with 113 monitors in it. In fact depending on the script it can be complicated with 10.

We specialise in doing script breakdown, budgeting and coordinating for screen design for most of the major feature films that film in Australia. Some of our more notable credits are listed below, but that’s by no means all of them. To see some footage you can download the showreel here

Design and Interactive Programming

Most scripts that have computer screens or TV’s referenced in them need to have something specific on them. That’s where our designers and interactive programmers come in. Not only do we design whatever graphics are needed for a script, but we also programme them interactively to respond to cue points given by the actor, director, whoever.

24 Frame Playback

We have developed control systems and software over our years of experience that help us trigger multiple events at one time or sequenced periods apart.

This job role is sometimes called 24 frame playback or Computer Effects. 24 frame playback is a little more specific in that most of the time the footage is pre-sourced video and all we need to do is convert it from the standard TV playing speed to 24 frames to sync with the film camera. This can be done easily and because the Australian base TV system is PAL, we can easily convert the signal to just about any TV without having to hard wire the TV like in the NTSC world.

Shoot, Edit, Prep

When it comes to sourcing video footage we can do that too. We have full video shooting, recording and editing facilities that allows us to gather, cut and colour treat any footage that may be required for playback. We can even coordinate an entire video shoot unit, if there are lots of points in a script that need to be shown on a screen in a later set. This was recently done on “The Condemned”, filmed in the Gold Coast.

Get the SHOWREEL HERE (7.5MB 2006)
Includes our more notable job up to and including Superman Returns

“Superman Returns” - Warner Bros (2006)
Interactive graphic design & programming, hardware management

“Stealth” - Sony (2005)
Interactive programming, hardware management and 24 frame playback

“Mask 2” - New Line (2005)
Interactive graphic design & programming, hardware management and 24frame playback

“Illustrated Family Doctor” - Pod Film (2004)
Interactive programming, hardware management and 24 frame playback

“Dynasty: Behind the Scenes” - Village Roadshow (2004)
Hardware management and 24 frame playback

“Anacondas” - Sony (2004)
Interactive graphic design & programming and 24 frame playback

“Love Bytes” - Foxworld (2004)
Interactive graphic design & programming, hardware management and 24 frame playback

“Without Mother” - ABC TV (2003)
24 frame playback

“Future Tense” - Warner Bros (2003)
Interactive graphic design, hardware management and 24 frame playback

“Newton” - Warner Bros (2003)
Hardware management, 24 frame playback

“Marking Time” - ABC TV (2003)
24 frame playback

“Matrix Reloaded & Revolutions” - Warner Bros (2003)
Interactive graphic design, hardware management and 24 frame playback

“Man Who Sued God” (2001)
24 frame playback

“The Bank” Arenafilm (2001).
Hardware management and 24 frame playback

“After the rain” ABC TV (2000)
Interactive graphic design, hardware management and 24 frame playback

“Red Planet” - (2000)
Graphic concepts, hardware management and 24 frame playback

“Mission Impossible II” (2000)
24 frame playback